11/6/2021 0 Comments James Ivory
James Ivory (born 1928) is a film director, producer, and screenwriter who is most famous for his work with Merchant Ivory Productions, which he formed in 1961 with the late Ismail Merchant (1936-2005), his partner of 44 years. See the complete profile on LinkedIn and discover James. James has 1 job listed on their profile. It’s edited by the wonderful novelist Peter Cameron author of The City of Your Final Destination (the source of Ivory’s last film to date as director) and Coral Glynn (which Ivory has repeatedly said he wants to to film, with Julian Sands, Rupert Graves and Helena Bonham Carter as reunion casting).1960 2005 Quantity 97.5 linear feet, (79 containers)View James Ivory’s profile on LinkedIn, the world’s largest professional community. The publisher is Little, Brown. James Ivory has completed his memoir.The James Ivory Papers comprise his personal and professional papers, and include material relating to Ivory's feature films, television programs and commercials, Merchant Ivory Productions materials (including papers of Ismail Merchant and Ruth Prawer Jhabvala), and Ivory's published and unpublished writings, including literary and artistic work done while Ivory was a college student at the University of Oregon. Based on a novel by Collection Number Coll 283 Summary James Francis Ivory (1928-) is an American director best known for the films he made as part of Merchant Ivory Productions, the production company he formed with his longtime collaborators producer Ismail Merchant and screenwriter Ruth Prawer Jhabvala. James Ivory began his career as a documentary filmmaker before teaming up with producer Ismail Merchant to make 'The Householder' (1963).Collection includes sound recordings, moving images, and digital files to which access is restricted. Please contact Special Collections and University Archives in advance of your visit to allow for transportation time. Collection or parts of collection may be stored offsite. Collection must be used in Special Collections and University Archives Reading Room. Repository University of Oregon Libraries, Special Collections and University Archives.Collection is open to the public.
Edward Ivory, his father, had grown up in New York state where he attended Syracuse University and graduated in forestry. Languages English Sponsor Funding for encoding this finding aid was provided through a grant awarded by the National Endowment for the Humanities.James Ivory was born in Berkeley, California on June 7, 1928. Additional Reference GuidesSee the Current Collection Guide for detailed description and requesting options. Researchers requiring access must notify Special Collections and University Archives in advance and pay fees for reproduction services as necessary. While discipline was strict, a teaching sister recognized his artistic ability and encouraged him to take drawing and painting classes. In 1933 he moved his family to Klamath Falls, Oregon where in partnership with an investor he bought a lumber mill adjacent to Klamath Lake and later built another in Bly, Oregon called the Ivory Pine Company.The family maintained their primary residence in Klamath Falls and James attended Sacred Heart Academy. Later they moved to Berkeley, California where he was employed by the Weyerhaeuser Timber Company in San Francisco. In 1921 he married Hallie DeLoney, descended from an old Louisiana family. James Ivory Trial Film ProductionAlthough the school emphasized industrial film production, Ivory was able to convince his teachers to let him film a Master's degree documentary thesis on Venice as reflected in its art. In 1951 he began a graduate program in film production at the University of Southern California. He traveled to Europe for the first time in the summer of 1950 and after returning, received a BA degree. His years at Oregon were intellectually challenging and many faculty members at Oregon made a lasting impression on Ivory. In addition to an academic course, he participated in school drama and journalism, and spent many of his weekends skiing at nearby Crater Lake National Park where he also worked as a cabin attendant during the summer.After high school graduation in 1946, he enrolled in the University of Oregon's School of Fine Arts majoring in architecture, later changing to a general art course. In 1955 where he completed Venice: Theme & Variations and his Masters Degree in Cinematography in 1957.Then living in Los Angeles, he set out to produce his next documentary film based on his new found interest in Indian miniature painting. During leave times he was able to continue working on his Venice film. Through a stroke of luck and resourcefulness on his part, he was assigned to Seventh Army Special Services in Europe with the job of booking cultural events for army units in Germany. Army and was trained for the Signal Corps. Together they shared a love and fascination with India and cinema and decided to return to the subcontinent and produce a feature film. Ivory was impressed by Merchant's drive and business acumen while Merchant appreciated Ivory's artistic and intellectual attributes. The Delhi Way was released in 1964 although the Afghan film was never completed.It was on his return to New York that he met Ismail Merchant. He spent the year 1960 shooting film in India and traveling by jeep over the Khyber Pass and on to Kabul where most of his Afghanistan footage was shot. Ivory was commissioned, with the support of a $20,000 grant from the Rockefellers, supporters of the Asia Society, to produce two documentaries-one on Delhi and another on Afghanistan. Both that film and the Venice film attracted the interest of the Asia Society of New York. Underlying all, however, is the team's basic artistic foundation: the Ruth Jhabvala-James Ivory collaboration, backed up by the inventive financial and logistical support of their producer, Ismail Merchant.Ivory has compared making a motion picture to a military campaign. Screenplays are inspired by older established authors and their classic works, to new writers just making their names. Time periods run from the eighteenth century to the twenty-first. Although a number of their films were produced in India, the majority are set in western Europe and the United States-from Nazi occupied France to the frenzied art scene in 1980s New York. Thus was formed a cinema triumvirate that over the years would become the longest lasting film collaboration in cinema history.The University of Oregon Ivory collection presently represents forty years of this collaboration and from it we learn much about James Ivory as a director and about the films of Merchant Ivory. She agreed to let them produce a film based on it and offered to write the screenplay. Easy guitar tabs for beginnersIn the days before faxes and email, both Ivory and Jhabvala had to depend on letters, as they were so often on different continents. Months are spent analyzing characters, their motivations and how they fit into the script. Ivory and Jhabvala are perfectionists. This is illustrated in reading the collection's correspondence between Ivory, Jhabvala, and various authors whose books were being filmed. It is, however, in the planning, development and cutting of a film that we more clearly see the genius of James Ivory. The director acts as the general in charge of the day-to-day shooting operation.
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